NY: Lustrum Press, 1971. Seymour, Daniel. First edition. Square small 4to., unpaginated, numerous b&w photographs. Pictorial stiff wrappers. The wrappers show very light toning. Aside from the neat signature of Alan Winer, photographer and former administrator of the Visual Studies Workshop, this is a fine copy. An impassioned personal account..... More
[New York]: Seth Siegelaub, 1969. First edition. 4to., 26 pp., fully illustrated with drawings and photographs. Illustrated stiff wrappers. Near fine. The title and introduction by Seth Siegelaub and the artist's statements are in English, French and German; illustrated by examples of conceptual works by each of the listed artists..... More
Chicago: A Chicago Book Publication, 1977. Snitzer, Jim. First edition. 24mo., (20) leaves (10 folded), b&w photos. Printed stiff wrappers. Very good. SIGNED in pencil by the artist on the flap of the rear wrapper. Jim Snitzer received his BA from The University of California, 1973 and his MFA from..... More
[Munich]: Nazraeli Press, 1992. Sommer, Frederick. First edition. Oblong 12mo., (48) pp., 30 four-color and duotone plates. Printed boards, two volumes bound dos-à-dos. Fine in publisher's blind-embossed slipcase. Contains Sommer's writings and several previously unpublished photos. Text in both English and German. Limited to 2000 copies, this copy is SIGNED..... More
NY: Kevin Begos Publishing, 1993. Sommer, Frederick. First edition. Oblong folio, comprised of a title-page, five dust grain photogravures, made from the original negatives. Image size from 9 x 10 inches to 9 1/2 x 11 inches, mounted on archival boards 15 1/4 x 13 1/2 inches, colophon, quotation from..... More
Munich: Nazraeli Press, 1994. Sommer, Frederick. First edition. Approximately 4 x 4 x 6 inches, with 50 loose duotone and process color cards, with 12 cards containing text, in a handmade plexiglass box. Fine. Limited to 1000 numbered copies, this copy is SIGNED by the photographer on the colophon sheet..... More
Chicago: A Chicago Book, 1981. First edition. 16mo., (28) pp., b&w illustrations from photographs, printed card laid-in. Bound dos-à-dos. Color printed stiff wrappers. Rubbed along one edge of the rear wrapper, else a fine copy. SIGNED by the artist. An illustrated conceptual piece based upon a narrative. OCLC locates..... More
Chicago: A Chicago Book, 1981. First edition. 12mo., 10 leaves printed recto only, 1 color plate from a photograph. Printed stiff wrappers. A fine copy. SIGNED by the artist. An illustrated conceptual piece based upon a narrative. OCLC locates 6 copies. More
Chicago: A Chicago Book, 1982. First edition. 16mo., (23) pp.,1 b&w plate from photograph printed on acetate, 2 sheet of card stock clipped to a leaf, two 35 mm slides of text clipped to a leaf, and a pocket pasted to the terminal leaf containing 9 sheets of printed card..... More
Chicago: A Chicago Book, 1982. First edition. Oblong 8vo., (22) pp., b&w plate from photographs; also contains a 35mm slide, a plastic bag containing dried wine, a fragment of audio tape in a plastic bag, etc. Printed stiff wrappers. A fine copy. SIGNED by the artist. An illustrated conceptual piece..... More
Chicago: A Chicago Book, 1982. First edition. 16mo., (23) pp.,1 b&w plate from photograph, 3 sheets of card stock clipped to a leaf, one 35 mm slide of text clipped to a leaf, and a plastic bag containing a fragment of glass clipped to a leaf. Shallow creasing caused by..... More
circa 1970. A unique 8vo. [19.5 x 14.5 cm] maquette of 13 leaves of card stock, plus covers; there are 6 leaves of single images facing a blank opposite page, and 5 double page pairs totaling 16 vintage silver gelatin photographs. The front cover has a sheet of Japanese grass..... More
circa 1968. A unique 12mo. [11.5 x 9 cm] maquette of 17 leaves of card stock, plus covers; there are 7 leaves of single images facing a blank opposite page, and 7 double page pairs totaling 21 vintage silver gelatin photographs, produced by the mordançage process, and 1 smaller silver..... More
Toronto: Coach House Press, 1970. First edition. Small 4to., 9 full-page plates from b&w photos. Printed orange and black stiff wrappers. Slight creasing to the tips of the wrapper, with one small stain. Very good. An oversize facsimile of a Kodak snapshot album, including the prints having serrated edges. The..... More
![TEN PHOTOGRAPHS [descriptive title]. Todd Walker](/pictures/thumb/53078.jpeg?v=1596042847)
Ten color photomechanical prints, 7 x 9 inches or the reverse on 10 x 12 inch stock, each SIGNED in pencil below the lower right corner, with the photographer's cryptic designation below the image on the lower left corner. With a single text sheet printed in 22 point Caslon. Fine..... More
Tucson: Press of Todd Walker, 1976. Walker, Todd. First edition. 16mo., (iii), 22 full-page offset color plates after photos, with text opposite. Patterned stiff wrappers. Slight fading to the front wrapper. Fine. Female nudes accompanied by text from Robert Burton's 1652 ANATOMY OF MELANCHOLY, and others. This copy is boldly..... More
NP: (The Photographer), 1960. First edition. Square 8vo., 23 photo plates on heavy glossy stock and 5 drawings on colored stock. Cloth-backed illustrated boards, very light edge-rubbing, else very good. Issued without a dust jacket. 100 copies only, SIGNED by the photographer. Tom Muir Wilson coauthored with Weston Kemp what..... More
Rochester: Visual Studies Workshop, 1996. First edition. 8vo., [32] pp., fully illustrated from b&w photograsphs with over-printed text. Fine. Photographs of the cooling towers of Three Mile Island after the accident, and other sites where "a yellow canary" might warn of impending harm from the rising ozone levels, over printed..... More